影片详情
影片名称：欧洲的某个地方
影片别名：
影片拼音：ouzhoudemougedifang
上映时间：1948年
国家/地区：其它
影片语言：其它
视频时长：分钟
影片类型：剧情
影片编剧：
视频集数：全集0集全
资源类别：高清、完整、全集、未删减版本
资源更新：DVD
总播放次数：610+人次
TAG：欧洲的某个地方,thewarends.Inthemidstofruinedcitiesandhousesinthestreets,inruralhamlets,everywherewherepeopl
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剧情简介
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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常见问题
360电影网网友： Somewhere in the remote region, the war ends. In the midst of ruined cities an
神马电影网网友：最近《欧洲的某个地方》上映了，没想到制作方非常地慷慨，一来就放全集，观众们可以一口气从第一集看到大结局。这部剧中演员们的高颜值是一大亮点之外，它里面的台词也非常的搞笑啊！台词沙雕中带着可爱。
艾玛影院网友：除了 优酷视频视频软件之外你还可以去 爱奇艺、 芒果tv、 高清不卡免费看-多美影院网 百度视频等平台去看正版视频。
6、在《欧洲的某个地方》这部剧中，你觉得Artúr Somlay Miklós Gábor Zsuzsa Bá 的演技怎么样?
影视大全网友：最近有Radványi Géza 导演的剧情片一经播出就受到了很多观众的欢迎和认可，这部剧情片里面，演员的演技都是非常值得肯定的，Artúr Somlay Miklós Gábor Zsuzsa Bá 在里面的演技非常的好，他能够去把握这个角色所要表达的情感，向观众展现出更好的作品
人人影视网友：有以下演员主演：Artúr Somlay Miklós Gábor Zsuzsa Bá 。
秋秋影视网友：您可以用手机打开百度APP在搜索框里输入：欧洲的某个地方手机在线观看免费，就可以找到免费正版播放资源了。手机免费看欧洲的某个地方网址:www.duomei99.com/juqing/ouzhoudemougedifang/，这个网站免费无广告。
豆瓣电影影评：我其实是想给欧洲的某个地方4颗星的，但是稍微回味了一会儿，觉得它不值，还是三星半吧。其实，我一向对其它剧情片非常宽容，甚至可以大言不惭的说，在国内和国际制作水平差距极大的情况下，我就是“双标”——都不在一个起跑线上，根本没法比呀。所以经常出现国外影片堪堪尚可，我却只给三星及格，其它剧情片只是稍微拍出了一点点好看，我就会给三星及以上，如果演员演技爆炸或者剧本极佳，我也不会吝啬我的5星，但是如果按照给国外影片打分的标准，这些其它剧情片可能通通都只能有三四颗星以下。
丢豆网影评：情节流畅，人物丰满，节奏把握好，有时代感。没有太多的耸人听闻。每个角色都扮演了一个角色，细节也到位了。整部电影的三种观点也非常积极。演员们有真诚的感情，总体来说，可以和朋友一起看，推荐！！！
mtime时光网影评：第一次如此喜欢一部剧的女主角，聪明、独立、冷漠，有自己的见解，特别是有点狡猾。多么可爱。！
百度影评：男女主角真的很清新可爱，看完之后，让我准备搬家，很想早恋，可惜已经过了早恋的年龄！
剧情片周榜单